SONY A7R IV

The 61 Megapixel Sony sensor produces the largest image real state of any camera I've owned. I don't need this kind of resolution, as I don't print that large, but the ability of freely crop and still get a usable image is invaluable.

It has its weaknesses, like the AF not being up to par with recent models, or the In Body Image Stabilization not being in the same ballpark as modern MFT cameras, although it gives me the freedom to shoot at much higher ISOs, so for me is not that big of a deal.

I just need to start using a tripod more, which is always a good idea.

The G95 plus the 12-35mm f:2.8 is a good travel kit, and also a good video solution until I can get an Alpha body for that purpose.

The main reason I'm keeping it is because is the only camera that will give me Live Composite, which is a feature I love for Fireworks and light painting.

SONY FE 20-70mm f:4 G

This is the one lens that made me realize it was time to jump ship, something I had been thinking about for years but didn't have the courage, or budget.

It can replace two of the three essential lenses: an ultra-wide zoom and a standard zoom. The standard zoom is usually a 24-70mm, while the base for ultra-wide is 20-35mm. Although there are ultra-wide options down to 16mm or 14mm, I feel this is a good compromise.

Next on my list is the FE 70-200mm f/4 OSS II, and I'll share its details once I have it. For now, it stays on my “wanted” list.

For when I want to go really light and small. Is the perfect companion for a walk around the city.

My 2nd Carl Zeiss lens. The first one was a very old m42 menual lens which I never really used, but it rendered beautifully.

Super light and snappy, makes the kit with the A7R IV a super compact package.

20 years ago I bought the best lens I have ever owned. The mighty Canon 70-200 f:4L. The Sony version is as good or better, due to new technologies and features not available at that time, like the very advanced Optical Steady Shot (OSS) and highly regarded Macro functionality.

Paired with the 1.4X TC will become a very flexible lens with focal lengths ranging from 70mm up to 420mm leveraging the Alpha APS-C mode.

Multiplies the focal length of any compatible lens by the factor of 1.4X reducing one stop of light, so an f:4 becomes an f:5.6. With the A7R IV and the 70-200mm f:4, it can work in the following ranges:

• 90-280mm f:5.6 at 61 Megapixels

• 147-420mm f:5.6 at 26 Megapixels when using the APS-C mode

Peak Design 7L Outdoor Sling

I have used all kinds of slings. My current favorite is the Peak Design 7L sling from its Outdoor line. It has the perfect combination of flexibility, storage and size/weight to make it a perfect fit for carrying a basic mirrorless kit, or even use it as a daily carry.

It doesn't have too much of a structure, so things get mixed up inside a bit. I suggest you combine it with a small camera cube of your choice or the Peak Design XS cube, which is an extra cost. I had a Temba cube from an old DNA sling which fits perfectly. Did I say I've had a lot of slings?

This is the backpack that currently makes more sense to me after many years testing all kinds and types.

It is configurable with or without camera cubes. You can even leave it empty and just stuff things up, although I love organization so I use cubes when carrying camera gear and pouches for tech stuff. I don't usually use it as a travel bag, but I guess it can be fitted in a pinch.

The main thing that I like about this bag is the fact that is rigid and things just stay put. The camera dividers have a great texture and is not "fluffy” like many other bags I've used.

The other feature, which is crucial for road warriors, is that it won't fall over when placed on a desk or the floor. It will keep its standing position which is great to access the “loft", as they call it.

A bit on the pricey side, but they run sales regularly so check their website often.

My main workhorse. It gives me all the computing power I'll need for the next 5 to 10 years, I hope.

I use a bunch of external storage options. Having Thunderbolt 5 on all its USB-C ports is the perfect way to keep your big files (RAWs and videos) out of the internal storage. I used to use my iPad for video editing with Lumafusion, but I started using Final Cut Pro a few weeks ago, and is fast and easy, and super intuitive. I'm not going back.

This is my 3rd camera body. And sometimes even my 1st. The one I use the most, as is always with me. I can shoot 4K video and RAW stills. Performance in low light continues to be its main handicap, but that is changing rapidly. The new 16 Pro camera button is quite handy, although it has its learning curve and muscle memory keeps reaching for the screen for snapping photos.

I hated filters. Having to unscrew and screw back on polarizers or NDs is a hassle I didn't want to deal with. I don't know who came with the idea of magnetic filter but makes all the sense. Especially great for polarizers, as they can be slimmer as there is no need for a rotating mechanism. You simply rotate it in the adapter and the magnet will hold everything together. I think is brilliant.

I bought the NEEWER Lavs looking for a more affordable option for the DJIs, and they are considerably less expensive. So far they have been delivering so I can call it a very good option if budget is tight.